During the first months of the pandemic the intimate connection of food and our stability was amplified. We stockpiled beans, devoured ice cream novelties and became increasingly aware of the instability...
Prints as objects and printmaking as a discipline reside within syntactic systems of multiplicity, seriality, and the use of the matrix that often mirrors the ways in which we navigate linguistic systems of exp...
In response to our ever-growing era of 2-day shipping, consumer immediacy and collective culture, this session will explore themes of prints in relation to contemporary consumerism. The multiplicity of ...
The effects of the COVID-19 pandemic is another siren call of the exacerbating global crises: climate change, systemic racial injustices, wealth disparity, and more. A heightened sense of mortality that pla...
Printmaking has always existed in the space between art and technology. This relationship is currently evolving at a rapid rate as artists continue to adopt and fold digital tools and processes into the...
Printmaking has increasingly lent itself to being represented in time-based media. While there is a rich history of documentary films that show the artist or printer at work, the print as multiple, often variabl...